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This is an often-repeated piece of advice in certain circles that jointly caring for a pet post-separation is a recipe for trouble. Experts frequently claim such arrangements impede former couples from moving forward, create logistical nightmares, lead to tension, and are a nuisance for everyone involved. Apparently, and in a twist suited to a streaming movie, it can even cause the dogs themselves to become depressed.

While respecting the emotional well-being of animals – many owners speak of their profound sensitivity. To witness a prime example in pet despair, consider a past film. There is little doubt that a dog such as Merv, a spirited little dog played by a talented dog named Gus, would have a hard time coping with life in two homes. The idea of basing a full holiday film on this conflict works effectively remains rather doubtful.

Standard Holiday Fare

Honestly, Merv, the work of its screenwriters and under the guidance of director Swale, makes no grand claims more profound than a light film. This is a seasonal offering from a corporate studio – the depth are modest. Its storyline proves to be uncomplicated: a separated couple Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, realizing that their post-breakup gloom is rivaled only by their dog's, embark on a uplifting getaway to a luxury pet hotel. Once there, as expected, they will undoubtedly rediscover the idea that they are better together. Side characters – featuring a group of comedic actors – are crafted as eccentric, underutilized, or over-the-top. Visually carries the feel of a branded content, with a holiday backdrop that is obviously artificial – as seen in flurries clinging to verdant foliage as North Carolina doubles as a cold December city.

The Canine Charisma

Whether these standard ingredients merge into something enjoyable rests upon the actors' work and an acceptance of easy entertainment. For the comfort factor, Merv targets a specific viewer – the kind who scroll endlessly for dog videos. It provides a series of scenes focused on the pet. The main attraction is the dog, and though it results in some awkward editing between what the dog does and human reaction, the movie delivers on walking sequences, canine sorrow, and, in the end, pure puppy happiness.

The Human Element

This level of success does not extend for the human side of the story. Its style wavers between emotional depth, broad humor, formulaic romance, and silly gags, never fully committing to any one mode. This is not Charlie Cox, who is willing to embrace the silliness and cringe demanded of the bizarre setting. His performance contains a likable self-deprecation that provides much of the film's charm for this ostensibly perfect couple. Her co-star Deschanel, in her typical fashion, injects a certain millennial quirkiness that will either resonate with viewers. Her Anna comes across as a touch too detached, notably when alongside Cox's genuine sadness. (It should be noted, the canine performer manages looking despondent – not quite Messi from that acclaimed drama, he is still a scene-stealer.)

The film attempts to add substance to the central romance for moments when the dog is absent – a regrettable choice, since the title character is undoubtedly the cutest element of this feel-good picture. Unsurprisingly, it just about gets by. The reason for their separation would feel more grounded and mature with greater exploration and fewer direct statements. As it stands, Merv is slight and sweet, meeting all its marks. Creating a movie with this canine conflict isn't a bad idea – even if I wouldn't call it a great one either.

• Merv streams on Prime Video starting December 10.